Research point 4.1

The first part of this research point involves how many contexts of textiles I can find and taking photographs – this will be an ongoing point which will be upgraded over the course of the assignment due to practicalities.

It is interesting to consider just how many different contexts there are for textiles as we are surrounded by them in all areas of modern life.

The first example I photographed is in my local cathedral and is a beautiful bargello kneeler.  Derby Cathedral has an abundance of different stitched textiles from these kneelers to quilted wall hangings to the altar cloths – many can be touched and are of course designed to be and they are also designed to be seen inside the building.  I feel in the case of the Cathedral or any church or place of worship textile the location has a very direct bearing for these are designed with a view to reflect the holy aspect of the location.  Some of the textiles are richly decorated such as a the clothing of the clergy or members of the choir and are made of rich yarns including gold threads or silks – there is almost a classical canon for these garments and textiles which dictate how they are worked and displayed.

A second location which has textiles in different contexts is my local stately home – Kedleston Hall.  The textiles here consist of a variety of furnishings including chairs, fire screens and carpets – all equally fascinating in their own right but the one that was unexpected when I first visited the house last year is the silk damask wall coverings.  In my photo you can see the carpet and wide, elegant chairs but you can also see the sheer beauty of those wall coverings – this room is one of the ones that has been fully restored and the silk damask custom made at huge expense and not surprisingly you are not allowed to touch!

A new addition to the house is the restored State Bed and again this has been done at huge expense and there are alarms surrounding the bed to prevent the public touching it.  An interesting note is the gold braid that has been made locally in Derbyshire – it is intricately woven and captures the light in such a way that it sparkles and shows off a bed designed for a monarch but never actually used.

Other contexts for textiles that I can consider without  actual photographs are those I see in on hospital visits – these range from the uniforms of the staff to the bedding and the surgical applications and as is mentioned in the course material the textiles use for space suits and travel which I have seen many years ago at Kennedy Space Centre in Florida.  I must add a photograph of my car interior – again mentioned in the course material but along with several others such as fashion you tend to overlook and take for granted.  There is also the artistic aspect – the textile art which I have researched already during the duration of this course including that of quilts both in a traditional and contemporary art sense along with the exploratory textiles of my fellow students or contemporary artists.

Textiles are also used in the care of animals – horse blankets or dog coats are examples with some being for the care of the sick or injured and some horse blankets are used for use outside in the cold and wet of winter.

Textiles surround us in life in a huge ever expanding variety of contexts – as I write I think of the new developments in sports wear with fabrics developed to pull moisture away from the skin or to protect against wet or cold and there are also developments in  military textiles too with regards to bullet proof clothing or new improved fabrics to protect the armed forces in the field.  I consider the developments in motor cycling textiles – kevlar jeans an example due to the strength, heat resistance and and impact tolerance and this is one I example of textiles I am grateful for due to having two motorbike mad sons!

The context in which we see textiles does have an impact –  I have yet to see textile art displayed outside over a period of time but love the thought of how it would wear and deteriorate and effectively become new art but the textiles I do see that are designed for outside use are usually ones that can be touched and are for practical purposes.  Textile art which is designed to be displayed in an interior location can be tactile and designed to be touched and handled or displayed behind glass due to either the materials used or techniques or just the hours that have been put into the making of it.  I find myself drawn to the silk damask wall coverings of Kedleston Hall – not totally unexpected in the fact I have come across it before in other wealthy houses in magazines or on the internet but unexpected in how exquisitely beautiful it is when seen in person as it far exceeds expectations.

There is a part of me that would love to take a space suit or something similar and put it in an entirely different location to see people’s reaction to it as well as my own – a textile that is designed to be in one location does  have a very different feel to how you would perceive it when it is seen somewhere totally different.

Magda Sayeg. Bus in Mexico City. 2008

The second part of the research point is with regards yarn bombing – this is something I find hugely amusing and great fun as it concerns knitters and crochet workers literally decorating their communities of different locations with knitted and crocheted items …. tree trunks are covered, benches transformed or buses covered by single artists or groups of artists or any other object that takes someone’s fancy to decorate!

The knitters or crochet artists take photographs of their creations and post them onto the internet for others to see or comment on – it is in effect graffiti but using yarn and was thought to have originated in the USA but has spread to Britain and other countries.

Grace Brett

The bus photographed above has been done by one Magda Sayeg from Texas who is believed to be the originator of yarn bombing – initially it was just scarves or small items made to cover door handles or signs but one day this bus took her fancy and along with a team of knitters in the space of a week they transformed it.  From humble beginnings the craze has really caught people’s imagination and has even got a 104 great-grandmother yarn bombing 46 locations in the Scottish county of Borders with a group of other like minded people – Grace Brett who proves to me that street art is not just for the young and hip!!

I just love this phenomenon or craze because it takes a traditional craft into new locations and reaches a much wider audience than would see it in a gallery and brings me back to the conceptual artists I have mentioned above of the Post-World War II era which wanted to take art outside of galleries and to challenge the traditions and ideas of the art world.  Yarn bombing is challenging the traditions of the craft world in the same way that contemporary quilt art is challenging the more classical traditions of the quilting community.  The craze is also bringing a bright and joyful new aspect to many urban environments and also encompasses bridges or other large man-made or naturally made objects – there are no rules of what can or cannot be covered and many yarn-bombers work secretively so that the object is found covered in its new blanket or scarf unexpectedly.  Not surprisingly Facebook groups and websites have been set up to satisfy the creative ‘urges’ for want of a better phrase of those who want to join in this craze and literally go crazy with a freedom of expression using yarn – Craftsy.com which is a well known craft website even has tips on how to successfully yarn bomb which I fully admit has been bookmarked!!

Marianne Jorgensen – Pink M.24 Chaffee

My personal favourite image is this yarn bombed pink and purple tank …. the artist has my admiration and total respect because if there is one image that inspires me to want to yarn bomb myself at some point in the future then this is it!!  From an artistic point of view someone has taken a weapon of war and turned into something non-threatening that makes the viewer smile or even laugh …. the only thing that would make this image better is to have a soldier peaking out of the top but the fact it is photographed near what appears to be a Victorian building (perhaps an old warehouse) which is obviously considerable older than the tank itself also just adds to the incongruous context.  The yarn bombing makes the tank look so completely different and out of place it almost confuses the eye and brain and the yarn also  almost completely camouflages the structure and outlines of the tank – the irony is not lost!  What makes me laugh though is the fluffy pompom ‘bullet’ hanging off the end of the canon – someone is either making a peaceful protest or has one heck of a sense of humour.  It turns out this is a protest piece of art – the tank is a World War II tank and it was covered in yarn as a protest against the Danish, USA and UK’s involvement in the war in Iraq and the knitted and crocheted squares were done by many people in many countries – because this is a protest piece I find it even more interesting from both an art history perspective because art has long been used for political or religious purposes and it is fascinating to see textiles cross into this style of art.

Theresa Honeywell – yarn bombed motorcycle

Personally I think is what I love most about this craze – there is humour and it makes people smile in what is at the moment a very troubled world.  Yes the yarn bombing is challenging the traditional aspects of knitting and crochet as a craft and yes it is bringing the craft to a greater audience using bright colours and patterns but it does make people stop, look and smile or laugh – who could resist this pink motorcycle seen in a gallery setting? or benches that look like monsters?  this style of knitting is completely crazy but it does require dedication and skill and a wonderful creative imagination which crosses boundaries between artistic disciplines or maybe I should say that I feel it is coming out of the craft lagoon into a new artistic realm that perhaps does not have its own name yet – it is not fine art in the traditional sense but it is fine art in the skill and creativity that it requires to produce refined results or in some cases results totally unrefined and rustic but humour filled pieces in totally unexpected locations.  Lastly what I feel is important with this  craze is that it is inclusive of all levels of skill and that does mean that the graffiti style of yarn bombing can reach all echelons of society – the  older perception of the craft I feel can be somewhat fusty in truth but this craze changes it into something that everyone can enjoy.

BIBLIOGRAPHY:

Bored Panda. (date unknown).  104-Year Old Street Artist Yarn-bombs Her Town [online].  [Date accessed:  June 2017].  Available from:  http://www.boredpanda.com/grandmother-yarn-bomb-uk-souter-stormers-knitting-104-year-old-grace-brett/

Craftsy & Sympoz Inc.  2017.  Yarn Bombing 101:  How to Yarn Bomb in 5 Steps [online].  [Date accessed:  June 2017].  Available from: https://www.craftsy.com/blog/2014/03/how-to-yarn-bomb/

mentalfloss.com.  (date unknown).  10 Ambitious Yarn Bombing Projects [online].  [Date accessed:  June 2017].  Available from:  http://mentalfloss.com/article/50493/10-ambitious-yarn-bombing-projects

Oddee.  2007-2017.  12 Amazing Pieces of Yarn Bombing [online].  [Date accessed:  June 2017].  Available from:  http://www.oddee.com/item_97802.aspx

Telegraph Media Group Limited. 2009.  Knitters turn to graffiti artists with ‘yarnbombing’ [online].  [Date accessed:  June 2017].   Available from:  http://www.telegraph.co.uk/news/uknews/4305406/Knitters-turn-to-graffiti-artists-with-yarnbombing.html

 

 

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